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Reproduction du tableau Quatre faisans Jan van Essen Reste Grece sa maîtrise du clair obscur et sa maîtrise du clair obscur et la capacité à transformer ruine et solitude en récit visuel puissant Abraham Manievich appartient au courant moderniste et expressionniste du début du XXe siècle Four Pheasants fits into this vein: a representative piece of his art heir to a school attentive to textures and light effects
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